Fire at the Taco Bell!
Fire at the disco! Fire at the disco!
Fire at the gates of hell!
| — | Electric Six, from the song Danger! High Voltage! |
| — | Electric Six, from the song Danger! High Voltage! |

If you can’t guess whose live album David Live is, you fail as a person. Two points:
| — | The Flaming Lips, The Sound of Failure/It’s Dark… Is It Always This Dark? |
| — | Brian Eno, from the song On Some Faraway Beach. |

Spending the morning listening to the only Midnight Oil album I have not heard before, Breathe. By no means is it a truly classic Oils album, like 10, 9, 8, 7, 6, 5, 4, 3, 2, 1; Head Injuries; Diesel and Dust or even Capricornia, it is none-the-less easy enough to listen to (which is why it *isn’t* a classic - too laidback). At any rate, it’s superior to the next Oils album, Redneck Wonderland.
Best tracks: Surf’s Up Tonight, Common Ground, Sins of Omission and Underwater.

I’ve been having a very Regurgitator day today (see my last.fm profile), and will use this as a excuse to mention Unit. A single word against this album, and I will possible hunt you down in your sleep. Well, maybe not, it does have flaws, but when one is in love…
Okay, honestly, the album art is brilliant (yellow circle on silver paper, with type on a sticker on the case), suggesting the tone of the album perfectly. And the songs rock like hell. I Like Your Old Stuff Better Than Your New Stuff, !(The Song Formerly Known As), The World of Sleaze, I Will Lick Your Arsehole (sorry, that’s what it’s called) and Just Another Beautiful Story - if I’m forced to choose - are the best examples of the crazy, electro-alt-rap thing that the Gurge tried on the album. The only possible faults are the songs Unit and 1234, but hell, I like them for their quirkiness and the way they help pace the album.
Sorry for the gushing, but I honestly think that this is one of the best Australian albums ever. Ever.
| — | Joe Jackson, from the song It’s Different for Girls |

An album I expected that I would dislike (at least a little), Mark Ronson’s Here Comes the Fuzz. As you expect from the write-up so far, I was surprised. Sure, I’ve heard some stuff off Version, but that’s a cover album of British alt rock hits! This is Ronson originals! This should be painful! The guy’s a producer, not a artist! However, it turns out to be one of the better hip-hop albums in my collection, with a few killer cuts - Ooh Wee, I Suck and Diduntdidunt. Of course, there’s some filler, and it is the guests that you notice, but at any rate, it’s worth a listen.